"Off-topic"/Free-form discussions > unpredictable blues
I too agree that the song form for this song is AAB. There is that certain distinguishing sound that separates the two first lines and the third line. It is not only a matter of lyrics but also the beat or rhythm of the music fluctuates to show the change in the song. You are right when you that this characteristic is what gives Blues that certain 'umph' that wasn't available in the music before. A problem i noticed that i have after reading your comment that I didn't notice about myself earlier was that when i listen to the music it either that I am incredible connected to the lyrics and completely disregard the rhythm or vice versa. Well this is especially true when I am analyzing the song. And because of your comment I went and tried to listen to the song as if I were simply just enjoying it, and from this i saw the interaction between the song and the beat, rhythm and melody. The improvisation that exists in the Blues is what gives it the authentic characteristic in which no one song sang by any artists is identical. And that makes it so fascinating and amazing to listen to.

Billie Holiday’s St. Louis Blues is good example of the stylization of AA'B in early jazz and blues music. I argue against AAB because the only similarity in the first two lines is lexical. The melody that she sings and the accompaniment of the brass stays along the lines of the first lyric, but there are still distinguishing differences that set the two apart. Which is what makes Blues so different from the parlor music and folk songs that came before. There is room for variation that is left to the singer and the musicians discretion. Improvisation makes the song sound different each time someone sings the same song. A similarity that we hear with this song and other blues pieces to other styles of music is the emotional change in the instruments to match the feelings of the what is being sung. Half way during a verse we can hear the lower sounding instruments taking the lead until we get to the last line, or the “punch line”, where the high pitch blasts of the trumpets take back control. Listening to what instrument is dominating the harmony lets you know what part of the verse we are listening to.